MoodLock Outfit Studio manages image prompts with image cards

MoodLock｜AI画像の惜しいを直す @MoodLock_JPOriginally posted 2026.09.30

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MoodLock Outfit Studio 応用編に気付いてる人がまだいないと思うけど、画像でプロンプト管理できると、画像生成用系のプロンプト管理にめっちゃ便利だよ。 イラストだったり、背景だったり、ポーズだったりね💛 MoodLock Outfit Studio を固定ポストでチェック✅ カテゴリごとに交換可能な衣装プロンプトを配布中✨ 生成環境：ChatGPT Images 2.5 #AIart️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️️ #プロンプト PROTECTED WARDROBE RULE — HIGHEST PRIORITY: Treat each garment description below as its immutable final product identity. Preserve construction, parts, hardware, material, pattern, and every registered graphic or marking—its surface, side, orientation, scale, colors, content, spelling, and count. FINAL WORN STATE overrides only the scoped item's use, position, side, orientation, fastening, layering, folds, tucks, knots, and drape. If source prose omits or misclassifies a component required by an explicit selection, that selection corrects only that component. A SOURCE GARMENT label describes the unstyled item, never the completed silhouette. Do not redesign, add, remove, mirror, duplicate, relocate, or redraw protected details. Wardrobe: Headwear: A plain cuffed beanie in burgundy (#6F1D2A), its representative base color, knitted in fine, close vertical ribs. The softly rounded crown has subtle converging shaping at the top and a modest amount of relaxed height. A broad doubled turn-up cuff runs continuously around the lower opening, with the same burgundy knit on both faces. The compact, stretchy shape has no projecting brim or added ornament. Final worn state: - Headwear position: Seat the complete beanie deeply and evenly on the head with its center aligned to the facial midline. Keep the lower edge, or the lower edge of its existing cuff, horizontal immediately above both eyebrows and let the sides cover the upper portions of both ears at equal height. Preserve the source-defined cuffed or uncuffed construction and crown shape. Do not cover the eyes, tilt or rotate the beanie, perch it high, or turn the crown into a backward slouch. Top: An oversized hip-length pullover in loosely knitted, softly fuzzy crimson and off-white yarn, with prominent open stitch columns, dropped shoulders and long roomy sleeves ending in crimson ribbed cuffs. A broad crimson ribbed hem lightly gathers the relaxed body. Three broad off-white horizontal bands cross the front at the shoulders, upper torso and lower torso, separated by somewhat deeper crimson fields; the same stripe scale continues around the back and across the sleeves. The deep V-neck has a substantial crimson knitted border with crimson yarn cords threaded through paired openings into two stacked X crossings, leaving long free ends down the front. Irregular laddered tears open the wearer's left shoulder and upper chest, both sides of the front, the lower abdomen and the elbows and forearms, with smaller breaks at the cuffs and a few matching rear openings. Their uneven edges retain loose horizontal strands and hanging loops of the corresponding crimson or off-white yarn, distinct from the regular open knit between them. Final worn state: - Layering: Final state: place this garment outside the selected Upper-body innerwear item across the upper body. This outer garment retains and owns its exact source neckline aperture and edge, armholes, panel connectivity, closure state, straps, sleeves, and selected final hem or fold-return line. Keep the selected Upper-body innerwear item behind it, contributing appearance only through the outer material's existing optical apertures; no inner contour becomes an outer boundary. Only layer order, contact, occlusion, and optical transmission change. Every visible garment boundary follows the outer item's source geometry or separately selected fold-return line; inner contours remain optically behind it. Keep panel contact shallow. Natural handling within this same operation: Use soft stable contact with limited material-correct ease. Upper-body innerwear: A simple black stretch-jersey bandeau with a broad opaque band covering the bust, a gently curved upper edge and a straight lower edge ending above the waist. Soft matte fabric, discreet enclosed elastic along both edges and smooth side seams create a close, flexible fit, with a continuous plain back and no straps or visible hardware. Bottom: Oversized low-rise barrel-leg jeans in black denim with a strong charcoal-platinum overdyed cast across the thighs and knees. Extremely roomy legs bow outward through the knees and narrow slightly toward broad open hems. Curved longitudinal panel seams meet horizontal thigh seams and shorter curved lower-leg seams, creating a sculpted, rounded volume. Uneven washed areas retain bluer color near the lower legs and seams. Silver gray-frayed horizontal tears appear at the right thigh and lower shin, with an oval tear near the left knee and several stacked slashes below it. A belt-loop waistband, button and concealed zip fly, front pockets and rear patch pockets complete the jeans. Footwear: Black smooth-leather platform ankle boots with broad softly squared round toes, a subtle polished sheen and a raised stitched welt. Exceptionally thick black soles have layered horizontal grooves around the sidewalls, deep lug notches and a broad block heel rising slightly above the forefoot platform, separated by a defined arch recess. A simple black lace-up vamp, short padded ankle collar and matching lining complete the upper. Necklace: A short gold curb-chain necklace made from closely interlocking, gently flattened oval links with rounded edges and polished reflective faces. Its even, medium-width chain forms a supple continuous band without a pendant or contrasting centerpiece. Small matching terminal rings connect it to a discreet lobster clasp at the back. Earrings: A pair of large gold hoop earrings made from slender polished round-section tubing. Each hoop forms a clean circular loop with an open center and a discreet hinged post closure at the top.