用 Claude 把动效写成代码的剪辑室
四个渲染任务排队,动效全部由代码生成:动态字体、3D 铬字、产品爆炸图、App 宣传片,不用 AE 时间线。
this is what the edit room looks like when motion is written as code 4 renders in the queue. one program monitor. every clip flies in, plays, gets checked and ships. no After Effects timeline, no video model in the loop what’s on screen: 01 kinetic type: squash, stretch, ease in-out, follow-through. the basics of motion design, done right 02 motion reel: kinetic type, chrome 3D, every cut on the beat 03 product explainer: an exploded 3D house, callouts, photos in context 04 app promo: phone mockups, stacked cards, captions this is the kind of motion people are shipping with Claude right now. two years ago each of these was a week with a motion designer the trick isn’t the model. it’s the setup around it: > a reference you show it, not a style you describe > a spec it writes back to you > code you can change one line at a time > a skill that teaches it taste: easing, spacing, timing > an edit room where it all comes together that’s the whole studio, and I broke it down step by step in the article: the 3 rooms: data, motion, edit the 10 open-source skills that teach Claude motion design the workflow from reference to finished clip the mistakes that waste a day
这条是引用着另一条写的:x.com/francescoinweb3/status/2108882188624121896